Charley Chase Megapack

Could you clarify which of these you mean?

The Joy of Discovery

There is a specific joy in watching a Charley Chase film that is distinct from his peers. His comedies are "clean" in their mechanics but sophisticated in their execution. He isn't trying to save the world or build a boat to escape a flood; he is usually just trying to hide a scratch on a car, keep a secret from a boss, or impress a girl. Charley Chase MegaPack

Sons of the Desert (1933): While a Laurel & Hardy feature, Chase's supporting role as the ultimate annoying convention-goer is a career highlight. Could you clarify which of these you mean

Charley kept the photograph in the booth by the bulb. He never did learn exactly who packed the Megapack. Perhaps it had been a coalition of ushers and seamstresses, projectionists and children who loved the way laughter echoed off plaster walls. Perhaps it was time itself, bundling up stray fragments and sending them back to the place where they could be tended. He isn't trying to save the world or

Introduction

A MegaPack collection highlights this structural brilliance. In films like Mighty Like a Moose (1926), Chase constructs a comedy of errors based on a simple premise: a husband and wife, both hiding plastic surgery from one another, fail to recognize each other when they meet in public. It is a plot of surgical precision, executed with a lightness of touch that makes the absurdity feel inevitable. Watching these films in bulk allows you to see Chase not just as a gag-man, but as a master narrative architect.